Publications
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Twenty Thousand Leagues under the Sea by Jules Verne
The year 1866 was signalised by a remarkable incident, a mysterious and puzzling phenomenon, which doubtless no one has yet forgotten. Not to mention rumours which agitated the maritime population and excited the public mind, even in the interior of continents, seafaring men were particularly excited. Merchants, common sailors, captains of vessels, skippers, both of Europe and America, naval officers of all countries, and the Governments of several States on the two continents, were deeply interested in the matter.
Twenty Years a Detective in the Wickedest City in the World by Wooldridge
In presenting this work to the public the author has no apologies to make nor favors to ask. It is a simple history of his connection with the Police Department of Chicago, compiled from his own memoranda, the newspapers, and the official records. The matter herein contained differs from those records only in details, as many facts are given in the book which have never been made public. The author has no disposition to malign any one, and names are used only in cases in which the facts are supported by the archives of the Police Department and of the criminal court. In the conscientious discharge of his duties as an officer of the law, the author has in all cases studied the mode of legal procedure. His aim has been solely to protect society and the taxpayer, and to punish the guilty.
Twenty Years After by Alexandre Dumas
Alexandre Dumas’s novel ‘Twenty Years After’ is a sequel to his ‘The Three Musketeers’ and precedes ‘The Vicomte de Bragelonne’. Through the words of the main characters, particularly Athos, Dumas comes out on the side of the monarchy in general, or at least the text often praises the idea of benevolent royalty. His musketeers are valiant and just in their efforts to protect young Louis XIV and the doomed Charles I from their attackers.
Twenty-six and One, and Other Stories by Maksim Gorky
Russian literature, which for half a century has abounded in happy surprises, has again made manifest its wonderful power of innovation. A tramp, Maxime Gorky, lacking in all systematic training, has suddenly forced his way into its sacred domain, and brought thither the fresh spontaneity of his thoughts and character. Nothing as individual or as new has been produced since the first novels of Tolstoy. His work owes nothing to its predecessors; it stands apart and alone. It, therefore, obtains more than an artistic success, it causes a real revolution.
